EXHIBIT C · RETRO SOUL · R&B
Kitty Summerwine
Where the other exhibits document systems built to erase you, this one is the argument against them — warm, human, unautomated. Firelight and a 1960s jazz-club stage.
Tracks
- Through the Firelight — single
- Track two — single
The persona
Kitty Summerwine lives in the same visual language as a 1960s jazz club — low light, brass and velvet, a stage that hasn’t been redesigned by a committee. She’s the answer to a question the other two exhibits keep asking: what does a voice sound like when nothing’s optimizing it?
The catalogue is small on purpose. Two tracks, a firelight portrait, a jazz-stage portrait. Every piece of visual identity so far has been built around warmth over polish — grain, glow, and a face that looks lived-in rather than generated.
The other files in this imprint are about institutions that ask you to stop resisting. This one is what resisting sounds like.